Interweaving is the third of four miniatures that make up Piano Fractals (op.46), composed in 2017 and dedicated to Christel Weiler. The title describes both the compositional technique and the listening experience: melodic and rhythmic strands cross and recombine, each weaving through the others while maintaining its own internal logic.
The piece is built on the fractal principle of self-similarity — the same structural relationships that govern a phrase also govern the phrase's internal cells, and the architecture of the whole. A tone matrix provides the pitch material, while a system of nested duration groupings shapes the temporal unfolding.