This work takes inspiration from Harold Pinter’s unsettling and still-relevant play New World Order. The text, translated into Hebrew and recorded by two male voices, emanates from speakers on stage, setting the scene with an atmosphere of menace and control.
A silent performer responds to the recorded dialogue solely through physical gestures and movement. Every sound produced on stage — footsteps, breath, motion — is captured by an overhead microphone, processed in real time by computer, and diffused through the loudspeakers. The result is an interplay of theater, sound, and technology, where human fragility confronts systems of power.