In Zen Buddhism, shoshin—“beginner’s mind”—describes an attitude of openness, curiosity, and freedom from preconceptions. It is a reminder to meet each experience as if for the first time, unclouded by habit or expectation.
This philosophy guided both the conception and the listening of Shoshin. The instrumentation itself—saxophone, electric guitar, and cello—is an unconventional trio that bridges distinct musical worlds: the breath and immediacy of the saxophone, the amplified resonance and versatility of the electric guitar, and the rich, organic depth of the cello. Each instrument brings its own character and tradition, yet here they meet on equal footing, weaving textures and dialogues that defy stylistic boundaries.
The work unfolds in six movements, each a self-contained sound world with its own mood and energy. Together, they invite a continual rediscovery—moment by moment, note by note—mirroring the essence of shoshin.